"Everything?" Fleda gasped. In spite of ordering tea she had not invited him to sit down; she herself made a point of standing. He hovered by the window that looked into Raphael Road; she kept at the other side of the room; the stunted slavey, gazing wide-eyed at the beautiful gentleman and either stupidly or cunningly bringing but one thing at a time, came and went between the tea-tray and the open door.!

"I hardly see Mona as the 'soul' of anything," the girl replied. "But have they made no sound? Have you heard nothing at all?" "No. I'm tired of them: I'm not tired of you. This is the way for you to feel most how much I rest on you." Fleda had a compunction, wondering as they continued to stroll whether it was right after all to leave her. She believed, however, that if the flame might for the moment burn low, it was far from dying out; an impression presently confirmed by the way Mrs. Gereth went on: "But one's fatigue is nothing. The idea under which one worked kept one up. For you I could—I can still. Nothing will have mattered if she's not there."

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "Why, for you, of course, dearest friend!" Fleda interjected, falling instinctively into the address that embodied the intensest pressure. She wanted to put Mrs. Gereth between her and her danger. He paused so long for a reply that Fleda said: "I don't think I know what you mean by a set-to."